Ghanaian artist, Kuami Eugene, has delivered a cautionary message to young individuals in Ghana, advising them to tread carefully in their pursuit of money and fame.
The Rockstar emphasised that even those who accumulate wealth gradually encounter numerous challenges.
Kuami Eugene, known for hits like ‘Monica,’ shared his observations of people relentlessly chasing money, fame, and power, expressing amusement at such endeavours.
The musician asserted that money and fame, often perceived as everything, are not without their complications.
Using his Snapchat platform, Kuami Eugene conveyed, “I see many people out here struggling for money and fame. Like, it’s everything. Wait till you have it and then face the list of problems that come with it.”
In his social media post, the artist underscored the importance of recognizing the potential pitfalls associated with the pursuit of wealth and recognition.
Eugene highlighted that aspiring for financial success and fame may not always lead to the anticipated happiness, urging followers to consider the challenges that accompany such desires.
Ghanaian singer and songwriter Kuami Eugene recently shared a reflective message on his Snapchat, advising against the relentless pursuit of money and fame.
In his candid post, Kuami Eugene highlighted the hidden challenges often linked with the pursuit of wealth and recognition.
He stressed the importance of understanding the complexities and obstacles that come with financial success and fame, cautioning that the journey might not always lead to the fulfillment and contentment people anticipate.
Encouraging his followers to engage in self-reflection, Eugene prompted them to consider the potential hurdles and sacrifices associated with the relentless pursuit of wealth and fame.
His message serves as a reminder to prioritize values and personal well-being amidst the allure of external validation.
Renowned musician Eugene Kwame Marfo, known professionally as Kuami Eugene, shared valuable advice for Ghanaian men, urging them to strive for personal growth and success if they aspire to capture the attention of desirable women.
In a candid revelation, the “Monica” hitmaker reflected on his own journey, acknowledging initial rejections in his youth but highlighting the transformative power of hard work.
Kuami Eugene attests that since establishing his prominence in the Ghanaian entertainment scene, he has experienced a remarkable shift in his romantic fortunes.
No longer facing rejection, he emphasised that not just any women, but those he described as beautiful ladies with significant qualities, now readily accept his proposals.
Moreover, Kuami Eugene asserts that these relationships flourish as his partners exhibit a willingness to listen and comply with his guidance.
In a surprising twist, he disclosed instances where women themselves have approached him with expressions of love. The musician concluded by revealing that his romantic life is so vibrant that not a day goes by without a lady expressing interest in starting a relationship with him.
The story captures the evolving dynamics of romance in Ghanaian society, with Kuami Eugene’s journey serving as an inspirational narrative for men seeking romantic success.
Radio presenter Andrew Amoh popularly known as Andy Dosty expressed high praise for Ghanaian musician Kuami Eugene, dubbing him “our golden child” and commending his exceptional songwriting prowess.
Dosty, who has been collaborating with Kuami Eugene on a project, unveiled his admiration for the artist’s extensive collection of unreleased songs.
According to the host, the yet-to-be-revealed tracks by Kwame Eugene are already in the public domain, showcasing Kuami Eugene’s remarkable ability to craft captivating melodies and poignant lyrics.
Dosty emphasised the artist’s unique talent, attributing his success as a songwriter to the exceptional quality of his unreleased compositions.
“There is something about Kuami Eugene… he is our golden child, I was working on a project with him and the number of good songs that he has, songs he has written.
“Songs that he has written and not out yet are way better than the ones that are out, and he is so rich when it comes to songwriting, Kuami Eugene’s talent is amazing, no wonder anyone he writes songs for blow up. I think that the songs he has, there is nothing like it. [SIC]” Andy Dosty said.
Andy Doasty is a Ghanaian disc jockey and radio presenter with Multimedia Group Limited.
In 2017, he took over as the host of Daybeak Hitz on Hitz FM.
He is a recipient of the 2019 National Communications Awards Radio Personality of the Year.
Ghanaian high-life and afrobeat singer-songwriter Kuami Eugene has earned accolades from popular Ghanaian disc jockeys and radio hosts of Daybreak Hitz on Hitz FM for his lyrical prowess in music.
In a captivating two-minute video shared on X (formerly Twitter), the renowned radio personality appeared genuinely enthralled by the afrobeats singer’s profound lyrics, going as far as to hail Kuami Eugene as Ghana’s golden child.
Partnering with Kuami Eugene, according to Andy Dosty, exposed him to the “good songs” yet to be released by Eugene.
“Maybe he wouldn’t be very happy that I’m saying this on the radio about Kuami Eugene. You see, there’s something about Kuami Eugene. See, that boy is golden. Kuami Eugene, that’s our golden child right there.
I happen to be in the studio to work with him on a project and I tell you the number of good songs and I’m stressing on good songs—the songs that he has,” he said.
He added that Eugene has lyrically rich songs that he has yet to release and others that he has crafted and sold to other artists .These yet-to-be-released songs, according to Andy, are way better than the ones the world is enjoying.
“Songs that he has written but not sang yet—songs he has written and is selling—songs he has written but not out yet—are way better than the ones out. And the guy is so rich when it comes to his songwriting. Look, I have never seen anything like that .
No wonder anyone writes a song for the song to blow up. His talent is just amazing,” the Daybreak Hitz show mentioned.
Meanwhile,Andy Dosty featured Kuami Eugene in his “Love You Die” song in 2018. It was nominated for the High-Life Song of the Year at the 2019 Ghana Music Awards and also did well on the Ghanaian music chart.
Former house help of highlife artiste Kuami Eugene, Mary, has ventured into the music industry, showcasing her talent and determination.
A viral video captured Mary in the studio, recording her song and delivering a message of hope through her music.
With the song prerecorded and mastered, Ghanaians are eagerly awaiting its release, anticipating the debut of Mary’s musical journey.
The studio session has sparked a frenzy on social media, with netizens commending Mary for taking the initiative to pursue her passion.
Mary’s departure from Kuami Eugene’s residence was previously reported, with speculation surrounding the reasons for her dismissal.
While there has been no official statement from Kuami Eugene, Mary mentioned that she was asked to leave due to returning late on an errand, which reportedly upset the artist.
Following her dismissal, Mary revealed details about her time as a house help in Kuami Eugene’s house, including receiving a monthly salary of Ghc400.
This revelation elicited mixed reactions on social media and prompted a response from the musician. In another interview, Mary disclosed her struggles with fainting in Kuami’s house due to a lack of food.
The close relationship between Kuami Eugene and Mary led to speculation and interpretation by many, further fueling interest in their dynamic.
Famous rapper Lyrical Joe recently praised fellow musician Kuami Eugene as a crucial musical asset for Ghana in an interview with Ghana News Agency (GNA) Entertainment, calling for strong support for the gifted musician.
Recently, the two worked together on the smash hit song “Enter,” which is trending on social media.
Lyrical Joe, named the Best Rapper at the 2022 VGMA, expressed admiration for Kuami Eugene’s musical prowess and emphasised the necessity of rallying behind such exceptional talents.
According to him, supporting artists like Kuami Eugene is crucial for Ghana’s music to achieve global competitiveness.
“He is a great asset for Ghana, and we have to hold onto him very tightly. For our music to be globally competitive, we need guys like him to be at the forefront because his qualities as a top music star are undisputed,” Lyrical Joe stated.
The rapper underscored the importance of unity among musicians, asserting that collective collaboration could elevate Ghana’s music scene to new heights and enhance its competitiveness on the global stage.
“If we should come together, it would not only help our music but also promote our country and give us the voice to speak for or against some things in society. So unity can make us move mountains,” he added.
As for his plans for the year, Lyrical Joe revealed, “This year is all about churning out more bangers, and my fans should expect some good music from my camp.”
Fans eagerly await the release of the highly anticipated visuals for the “Enter” single, scheduled to drop on Friday, February 2, 2024.
Ghanaian rapper Joseph Gamor, popularly known as Lyrical Joe, has shared the unexpected story behind the creation of his latest hit, ‘Enter,’ featuring Kuami Eugene.
Despite initial plans for a remix, the duo ended up crafting a spontaneous masterpiece that has taken social media by storm and is receiving extensive radio airplay.
In an interview with Cape Coast’s Property FM, the award-winning musician explained the unexpected nature of the collaboration.
“This song was pure motivation, and we recorded it in the later part of December. If we had recorded it earlier, we would have released it in December,” he revealed.
Lyrical Joe initially proposed a remix to Kuami Eugene, but the talented artist expressed a desire to explore something different.
Embracing the opportunity, Lyrical Joe said, “I was open-minded for it, so we decided to work on it. We spoke to put everything in the right direction, and he put together the whole production. When I got to his studio, I just had to go and put my verses in there and add my touches to it, and that’s when we cooked the magic.”
The result is the chart-topping ‘Enter,’ a testament to the unexpected brilliance born out of creative collaboration.
Joseph Gamor popularly known by his stage name Lyrical Joe or LJ,a Ghanaian rapper has expressed his intent to make a switch from rapping to more of singing.
The Ghanaian rapper has said it’s time Ghanaians get to know more of his talent.
In an interview with DJ Slim on Daybreak Hitz on Hitz FM, the 2022 Vodafone Ghana Music Awards Best Rap Performance winner said even though he is widely known as a good rapper, he can also sing and intends to make that aspect of him more prominent.
“I consider doing that [singing], I do that more times just that I need to put it in people’s faces more. Yea, so definitely, I will. You know, [in] my song ‘Tina’ with Tinny, I didn’t even rap. I was just singing. I’ve had songs like I’m basically laid back singing,” Lyrical Joe stated.
He, however, noted that his rap fans usually get engrossed in the rap in a manner that has the tendency to take his mind off tapping into other areas.
Lyrical Joe wouldn’t be the first Ghanaian rapper to venture into singing.
Prince Bright of Buk Bak, Obrafuor, Obour, and others showed their versatility in both fields.
Lately, rappers like King Paluta and Amerado have also been proving their mettle in singing as well.
Lyrical Joe is currently out with ‘Enter,’ a blend of Amapiano and highlife featuring Kuami Eugene.
The song, a departure for his typical hardcore rap songs, is composed of a catchy chorus and hooks by highlife musician, Kuami Eugene who also did the production.
Richard Brown, widely knownas Osebo the Zaraman, a renowned boutique owner and socialite, has revealed the reasons behind his decision to stop styling highlife musician Kuami Eugene.
According to Osebo, there was an incident during the shooting of a music video where he suggested an outfit for Kuami Eugene. However, when the time came for the musician to wear the recommended attire, he chose to alter it without Osebo’s knowledge. This action did not sit well with Osebo, leading to their professional separation.
During an interview with Hitz FM, Osebo mentioned that despite no longer being Kuami Eugene’s stylist, he has noticed an improvement in the musician’s fashion sense, possibly influenced by the public feedback following their parting ways.
“So I invited Kuame Eugene to my shop myself, and that was when he was going to do ‘wish me well video’. We took a lot of pictures with the kind of outfit I wanted him to do the video in. If Kuame wanted to use another dress for the video or another style, he should have told me. ‘Nana, no, I want a white top, but I want to remove the hand’ that maybe I would have given him one. I invited you to my shop.
“This is what you want to do willingly; I did it. So go straight and do what I ask you to do. When I sit back and watch the video, I will be happy. But when you do it upside down, I will not enjoy it. So I will not even continue to do it again. That is how I backed off from Kuami Eugene.”
When he was asked how Kuami Eugene disregarded his instruction, he retorted, “The hand was removed; that was a posh T-shirt. Well, maybe he was young by then so he was trying to be more stylish. Now he’s doing well, unlike before.”
Osebo the Zaraman commented when he was asked to give his opinion on Kuami Eugene being chastised for the way he dresses and appears in public.
Ghanaian artiste, Kuami Eugene, has taken a swipe at his critics, describing them as envious and bitter.
This follows a post made by Ghanaian blogger ZionFelix of the artiste’s performance at Black Sherif’s Zaama Disco concert which took place on December 21, 2023, on Instagram.
The said post attracted some comments, especially on Eugene’s choice of dressing.
While some of them commended him for dressing well, others expressed the view that he didn’t dress well.
Other commenters asked whether it was Kuami Eugene who was performing or his look-alike.
The ‘Monica’ hitmaker was unhappy after he read the comments under the post.
He stated that some Ghanaians are bitter and it is only deliverance that can stop the envy and hate in the country.
Kuami Eugene replied: “Going through the comments and I can see how bitter some Ghanaians can be against their own people . The envy and hate in this country de3 agye deliverance.”
In a recent video, Kuami Eugene’s ex-house help, Mary, continues to speak out against her former boss.
Mary claims the Lynx Entertainment artist is a tribalist, compelling her to hide her ethnicity.
According to Mary, the agent who introduced her to Kuami Eugene warned her not to disclose her Voltarian identity as the musician reportedly dislikes Ewes.
Mary alleges that due to this, her mother never visited her at Kuami Eugene’s house to avoid revealing their Ewe background.
Gospel artiste, Dr. Sonnie Badu have asserted that Kuami Eugene rejuvenated Joyce Blessing’s ministry through the song ‘Victory.’
Speaking on Starr Chat with Bola Ray, he emphasized that there is no issue with secular musicians composing songs for those in the gospel music genre.
“Kuami Eugene wrote a song for Joyce Blessing and I follow Joyce Blessing and the song is blessing everybody. Kwabena Kwabena wrote a song for Ohemaa Mercy and it blesses people.
“You (Bola Ray) are one of the people that promoted ‘Baba Open the Flood Gate’. It was a secular guy that produced the song, Kwame Yeboah. Kwame Yeboah produced every single instrumental in there. There was one time he went out to capture the sound of the rain, it was the secular guy that blessed the world,” Dr. Badu narrated.
He stated that some of the secular musicians will love to sing gospel songs but they do not because it is not profitable in Ghana.
“For all you know Kuami Eugene has a better heart than those judging him. We are in a world of hypocrisy where when you wear a shoe and tie you are seen as a holy person. Joyce was going through a very tough season and I’ve heard the testimony Kwami did not charge her a penny.
“Kuami stood in the studio, recorded it and also directed the music or video that revived Joyce’s ministry. Somebody sat and said why is this secular artist helping a gospel musician. Kuami sings love songs and love songs are part of God, read Songs of Solomon its right there,” he stated.
Meanwhile, Mary’s recent revelations have sparked a diverse range of reactions from the public, particularly among Kuami Eugene’s fans.
Some staunch supporters of the artist have come to his defence, praising his generosity and kindness towards Mary. They argue that Mary’s claims of mistreatment are unfounded and that she is ungrateful and disrespectful.
Additionally, they contend that the GH₵400 payment was fair for a house help, dismissing any entitlement to more money or fame. Some even go as far as accusing Mary of being sent from a witchcraft coven to sabotage Kuami Eugene’s career.
On the contrary,others criticise Kuami Eugene, alleging that he exploited and underpaid Mary while displaying rudeness and arrogance towards her. This group questions his credibility and moral standing as a role model and public figure.
They express sympathy for Mary, asserting that she deserved better treatment and recognition for her hard work and loyalty. The debate continues, reflecting the complex nature of the relationship between celebrities and their domestic staff.
Music artist Kuami Eugene has revealed that he chose not to pursue royalties from Keche, citing respect for them as his seniors in the industry.
Despite feeling hurt by the lack of proper credit for his contributions, Eugene stated during an interview with Berla Mundi on TV3 that he has decided not to escalate the issue.
According to him, the apparent lack of acknowledgment for his efforts is evident through their gestures.
Kuami Eugene emphasised the importance of Ghanaian musicians recognising and giving credit where it is rightfully due.
“I wrote the hook; they said a lot, especially the tall one. His gestures made it look like I didn’t help. The gestures made it look like they did it themselves. This same dulling, I don’t have royalties from it.
“I respect you because you said this thing before me and you’re aware it’s making money and you want me to approach you and say I have not gotten any money from it… They started talking so I said they should keep it,” he established.
In response to the allegations raised byKuami Eugene’s former housekeeper, Mary, detailing the challenges she faced while working for him, the highlife singer seems to have crafted a musical reply titled ‘Onyame ehu wo.’
This song, inspired by a piece from the legendary KK Kabobo, serves as a platform for Eugene to express his feelings and position on the issue. Through the lyrics, he conveys a blend of regret, disappointment, and a sense of broken trust.
In ‘Onyame ehu wo,’ Kuami Eugene reflects on the consequences that individuals who engage in such actions may face, emphasising that divine punishment often awaits those who betray trust. The song serves as a medium for the artist to communicate his perspective on the matter in musical form.
“In whatever you’re doing, remember that God is watching you. Remember, God is watching you if you are fond of embarrassing your fellow humans by spewing lies and backbiting them. God is watching you.
“Think about it. If you will change, change because God is watching you. You act as though you love me, but in your heart, you hate me. What didn’t I do for you? But you’re going around talking about me. Spewing lies about me, what you are doing is one of the things God hates the most,” parts of the lyrics read.
Prior to the development, Eugene took to Twitter to share an indirect jab at his house help after her first batch of rants in an interview with Der Mad King TV went viral.
He took to social media with a response which read, ‘Nipa bi y3 cobra, an Akan phrase that translates to ‘Some humans are snakes.’
https://www.youtube.com/watch?v=io8HtY9Ji4Y
Background
In Mary’s two widely circulated interviews, she provided insights into the reasons behind her dismissal from Kuami Eugene’s residence, citing allegations of neglect, among other issues.
Initially, Mary candidly acknowledged her role in the strained relationship,attributing Kuami Eugene’s change in behaviour to her inability to effectively carry out certain tasks. According to her, this became a point of contention, leading to the deterioration of their working relationship.
Mary, who is no longer employed by Kuami Eugene, revealed that she was presented with two options: either accepting a reduction in her salary from GH₵600 to GH₵400 or vacating the premises.
She went on to share instances where she experienced health challenges, collapsing in the highlife musician’s house due to inadequate nutrition and other undisclosed reasons.
These revelations from Mary shed light on the complexities that contributed to her departure from Kuami Eugene’s household and the challenges she faced during her tenure.
Famous Ghanaian socialite Afia Schwarzenegger has strongly criticised Kuami Eugene’s former housekeeper, Mary, and her mother for their allegations against the highlife musician.
In her assessment, Afia Schwarzenegger deemed the accusations implausible, emphasising the significant support the artist has reportedly provided to them in the past.
Having closely followed their revelations, Afia Schwarzenegger suggested that there might be underlying mental health issues contributing to Mary and her mother’s statements.
“Now Kuami Eugene’s house helps. Mary is on a media tour, right? She is a fool; she and her mother are suffering from mental issues. She said Kuami Eugene left the house without giving her food. Meanwhile, you are paid, like, 600 cedis. So if one day you take your money to buy food, is it a sin?
“You live in a house without paying utility bills yet you don’t want to spend a penny on food. It is because of some of these things that I don’t want to help people because human beings are ungrateful,” she said.
She continued: “Do you know the rent in Accra alone? Her mother is also claiming that her daughter is now sick after staying with Kuami Eugene. Is he the only person to dismiss his housekeeper? This is not news; do you know the workers I have sacked?”
Meanwhile, the likes of Akuapem Polo, Broda Sammy, and many others have shared their two cents on the situation.
Background
Not too long after Mary stormed the media with some allegations about her former boss, her mother joined in the fray.
It would be recalled that Mary, in an interview with Der Mad King TV, claimed that she had starved and even collapsed multiple times while working at Kuami Eugene’s house.
Mary’s mother also claimed that her daughter, after being sacked from the musician’s home, returned with an unidentified sickness that left her in a coma for a while.
“When my daughter left my place, she was totally healthy, but when she came back from his house, she had a serious sickness that no one knew about.
“She even fell into a coma. We had to take her to a clinic but the doctors there couldn’t do anything about it. So we had to refer her to Tetteh Qwashie,” she said.
Gospel minister Broda Sammy has entered the ongoing controversy involving Kuami Eugene and his former housekeeper, Mary.
Following a careful examination of Mary’s revelations and the evolving situation on social media, Broda Sammy has come to the conclusion that she was sent with the intent to harm the highlife musician.
Expressing his conviction that Mary harbors malicious intentions, Broda Sammy remarked that individuals with unique grace, such as Kuami Eugene, are often targeted by such individuals.
“If there is a special grace upon your life, demons are being sent after you. The lady is a witch who was on a mission; she was sent.” He stated this in a discussion with GHPageTV.
In one of Mary’s expressions of discontent, she pointed out instances of neglect and inadequate care as key reasons for her departure from Kuami Eugene’s house. Mary alleged experiencing hunger and having to use her limited salary to buy drinking water.
However, Broda Sammy found these claims perplexing and deemed them irrational.
“Is she trying to say she has never been ill since she lived in that house? You no longer live with Kuami Eugene; you live with your mother now. Yet, when you collapsed at your mother’s house, you were blaming him. You are mentioning his name. if you had died, Kuami Eugene would have been blamed. You were embarrassing him by saying that you never had water to drink when you were living in his house. How much is water?” he established.
Broda Sammy, who claims to have faced a similar fate countless times, recalled an instance where his houseboy nearly broke his marriage.
“Those I have helped, nurtured and supported are now my greatest enemies. None of them have even picked up a phone to call me since they left my house. I remember the boy who lived in my house and tried to destroy my marriage. He was always calling my wife in the US, feeding her with information and several lies just for a few dollars,” he added.
Meanwhile, Kuami Eugene is yet to react to the tonnes of allegations by his former housekeeper.
Background
In Mary’s two sets of widely circulated interviews, she detailed the reasons behind her dismissalfrom Kuami Eugene’s residence, involving allegations of neglect and more.
Initially, Mary took responsibility for the strain in their relationship, citing her inability to efficiently manage certain tasks as the catalyst for Kuami Eugene’s change in demeanour.
Having parted ways with Kuami Eugene, Mary disclosed that she was confronted with two choices: either accept a reduction in her salary from GH₵600 to GH₵400 or vacate the premises.
Furthermore, she shared incidents where she collapsed while residing in the highlife musician’s house, attributing it to an inadequate diet and other undisclosed factors.
Former house help ofKuami Eugene,Mary, revealed that her recent revelations about her ex-boss have resulted in numerous threats directed towards her.
She shared that the threats are coming from Kuami Eugene’s camp, specifically from his school father, known as ‘Father.’ Mary disclosed that ‘Father’ recently contacted her, advising her to cease granting interviews for her own well-being.
“Kuami Eugene’s school father, I call him Father. He recently called me and said if I want peace of mind, I should stop talking. I don’t know what he means by that. He could send someone to come hurt me, because he asked about my location and all that.
“After the first interview, he kept calling, but I refused to pick up. So, I returned the calls later and he told me that instead of keeping quiet and choosing peace, I had chosen to grant interviews.
“He said it’s been just a few weeks since I left Kuami’s house yet I am granting interviews,” she retorted in an interview with Der Madking TV.
Mary’s mother has also claimed that her daughter, after being sacked from Kuami Eugene’s house, returned with an unidentified sickness that left her in a coma for a while.
“When my daughter left my place, she was totally healthy, but when she came back from his house, she had a serious sickness that no one knew about. She even fell into a coma. We had to take her to a clinic but the doctors there couldn’t do anything about it. So we had to refer her to Tetteh Quarshie,” she said.
In two widely circulated interviews, Mary disclosed the reasons behind her dismissalfrom Kuami Eugene’s residence, amidst allegations of neglect and other grievances.
Initially, Mary acknowledged being the source of their discord, attributing Kuami Eugene’s change in behavior to her failure to efficiently handle certain tasks.
Additionally, she pointed out concerns of neglect and inadequate care as contributing factors that led to her decision to leave the house.
CEO of the popular Radio & Television Personality (RTP) Awards, Prince Mackay, appears intrigued by how highlife musician’s single “Monica” has made such a hit after the musician’s ‘sleep mode’ following the demise of his grandmother and father.
Speaking on Accra 100.5 FM’s Entertainment Capital on Saturday, November 25, the event entrepreneur said he had heard the story behind the song and found it “inspirational,” urging Kuami Eugene to look for the ‘mystery Monica’ and thank her for inspiring a hit from him.
He said, “You have to lookfor Monica, Kuami Eugene,” said Prince Mackay, CEO of the popular Radio & Television Personality (RTP) Awards.
“Monica has been of immense help to Kuami Eugene so Kuami Eugene must go and help Monica,” he added, amidst what appeared to be stifled laughter.
The CEO went on praising ‘Monica’ for bringing Eugene out of ‘darkness’ and making him lively again.
“Monica, you’ve done well. You’ve given Kuami Eugene a massive hit. You’ve brought Kuami Eugene back home [to familiar territory]. I’m a realist and that’s why people don’t understand me. I’m straightforward.
“Look, bro, for some time now, we know he’s been struggling. From the time of his issues with Lynx, when he released Single and then came other ones, you could clearly see Kuami Eugene was lost. I was telling myself that the Kuami Eugene we know is lost. It looked like he was getting off his normal [path].
“It looked like he was going through some tough times,” he noted.
During his hosting stint, Prince Benjamin (PB) recalled Eugene sharing the recent consecutive losses of his grandmother and father. This revelation, he explained, is the inspiration behind Eugene’s latest album, titled “Chaos and Love.” The term ‘love’ in the album title signifies the unwavering support Eugene’s fans have consistently provided him during challenging times.
“I didn’t have this information you’re giving me but I could tell that at that time he was going through something because he was not the Kuami Eugene we know… Something had changed about the way he composes music. You could tell he had gone off track a bit,” Prince Mackay reacted.
He asserted, thereafter, that “Monica, the female, has provoked Kuami Eugene to come back on track. That’s why I said he should go look for her.
Just as he says in the song, “he should buy one of these little cars, Vitz, for her to do Uber business with, so she can stop what she currently does,” Mackay added. “Monica, tell Kuami Eugene you’ve helped him get a hit. You’ve restored him to his former [glorious] position.”
Moreover, Prince Mackay strongly asserted that despite the recent release of Eugene’s “Monica,” it has the potential to surpass King Promise’s globally renowned “Terminator” and clinch the accolade for the most popular song of the year at prominent music award ceremonies in 2024.
Additionally, considering the success of “Monica,” Prince Mackay expressed his intention to recommend Eugene to the RTP management for a performance at the media awards show scheduled for Friday, November 29, 2023, at the Accra International Conference Centre (AICC).
In a television interview with Berla Mundi on Accra-based TV3, Kuami Eugene disclosed that his latest hit, “Monica,” is essentially about a devoted fan who persistently shares content on Snapchat. He playfully hinted that the content included nude photos, evoking laughter from both the in-studio audience and Berla herself.
“So Monica is about her.
“I’ve never seen her before but she’s on my snap.”
Stressing that he was telling “a real story,” he indicated the unnamed Snapchat user had been sending him nudes “for a year and a half now.”
Asked why he had not blocked communication with the unnamed female, Eugene lightheartedly answered, “I’m like a cat. I’m curious.”
Viewing her persistence as loyalty, Eugene said he had a private Snapchat conversation with her, during which she broached a one-on-one physical meeting.
According to him, he declined, telling her, “I have a lot of shows,” and they could rather “meet at some of my shows.”
She has yet to attend any, he observed, allowing, however, that she may have come to a show or two without approaching him.
On the back of this, he explained why, in the song, he tells Monica he “wants her closer than the nudes so she should stop sending whatever she’s sending—I prefer seeing her.”
Eugene declined to affirm or denounce his amorous feelings for the mystery Snapchat user.
Shortly after Mary, Kuami Eugene’s former household member, went public with certain allegations against the artist, her mother also joined in making her claims.
Mary, in an interview with GhPage TV, asserted that she had faced starvation and had collapsed on multiple occasions while working for Kuami Eugene.
She also alleged receiving warnings from the artist’s girlfriend to stay away.
In tandem with these accusations, Mary’s mother, who remained unnamed, has asserted that following Mary’s dismissal, her daughter returned from the artist’s residence with an unidentified illness that led to her falling into a coma.
The family, according to Mary’s mother, had to urgently transport her to a clinic and subsequently to another hospital for further treatment.
“When my daughter left my place, she was totally healthy, but when she came back from his house, she had a serious sickness that no one knew about.
“She even fell into a coma. We had to take her to a clinic but the doctors there couldn’t do anything about it. So we had to refer her to Tetteh Kwashie,” she said.
The mother further alleged that a man who claimed to be the school father of Kuami Eugene had called Mary and warned her to stop granting interviews to the media about her ordeals.
“Even when a man claiming to be Kuami Eugene’s school father called, he never bothered to ask about her health or how she was doing. He warned her to stop granting interviews, or else she would regret it,” she said.
Kuami Eugene, however, has not issued any statements or responses regarding these allegations.
Mary shared details of incidents where she experienced health issues, even collapsing while residing in the singer’s house, citing an improper diet and undisclosed factors.
During her recent interview with Der Madking TV, she claimed that on one occasion, she informed Eugene about her condition. However, despite being out of the country at the time, he allegedly only sent money for her to buy drugs, not encouraging her to seek proper medical attention.
Mary explained that the funds provided were for purchasing blood tonics and vitamins, which proved insufficient in addressing her health concerns. As the situation worsened, she had to seek assistance from a neighbour and eventually had to be rushed to the hospital.
“I didn’t eat well and it created problems for me. There was food but not always. Sometimes the food gets finished. There could be rice but nothing to prepare it with. And when instances like that happen, he steps out and when I ask him for money, he tells me he will be back soon but never returns early. If I don’t have money to buy food, I’d have to starve till he gets back.
“I have collapsed about four times, both at home and outside. In one of the instances, he travelled outside the country and I informed him about the situation. But he sent me money and told me to buy drugs. I told him I wanted to go to the hospital but he insisted that I buy drugs instead.
“I bought some blood tonic and vitamin C, but my condition worsened at night so I called one of our neighbours and complained about my plight. My teeth were even clenching at the moment; my palm turned white and I was palpitating. When I regained consciousness at the hospital, I kept mentioning his name. I won’t sit here and lie,” she expressed.
Mary shared details of incidents where she experienced health issues, even collapsing while residing in the singer’s house, citing an improper diet and undisclosed factors.
During her recent interview with Der Madking TV, she claimed that on one occasion, she informed Eugene about her condition. However, despite being out of the country at the time, he allegedly only sent money for her to buy drugs, not encouraging her to seek proper medical attention.
Mary explained that the funds provided were for purchasing blood tonics and vitamins, which proved insufficient in addressing her health concerns. As the situation worsened, she had to seek assistance from a neighbour and eventually had to be rushed to the hospital.
“I didn’t eat well and it created problems for me. There was food but not always. Sometimes the food gets finished. There could be rice but nothing to prepare it with. And when instances like that happen, he steps out and when I ask him for money, he tells me he will be back soon but never returns early. If I don’t have money to buy food, I’d have to starve till he gets back.
“I have collapsed about four times, both at home and outside. In one of the instances, he travelled outside the country and I informed him about the situation. But he sent me money and told me to buy drugs. I told him I wanted to go to the hospital but he insisted that I buy drugs instead.
“I bought some blood tonic and vitamin C, but my condition worsened at night so I called one of our neighbours and complained about my plight. My teeth were even clenching at the moment; my palm turned white and I was palpitating. When I regained consciousness at the hospital, I kept mentioning his name. I won’t sit here and lie,” she expressed.
Addressing the numerous criticisms she has faced for expressing her thoughts, Mary asserted that all her statements are nothing but the truth.
“God is watching us. God knows I am not telling lies,” she insisted.
Meanwhile, Kuami Eugene is yet to share his side of the story.
Earlier, after Mary’s first batch of rants, he took to Twitter to post an indirect response which read ‘Nipa bi y3 cobra’, an Akan phrase that translates to ‘Some humans are snakes.’
Renowned Ghanaian artist, Kuami Eugene, has voiced his resistance to conforming to prescribed images within the entertainment sector.
During an open discussion with MX24 TV, Kuami Eugene highlighted the public’s demand for artists, including himself, to portray a modest and humble demeanour, particularly in interview settings.
He noted that artists who exhibit confidence and openly recognise their successes frequently encounter opposition.
Emphasising his commitment to authenticity, Kuami Eugene asserted his determination to remain genuine and not dilute his identity to cater to external expectations.
“At the end of the day, I feel that if I sugarquote myself just to please you, I’m not pleasing myself. I don’t want to put myself in a situation where I’m living my whole life for other people. So if it’s an offence to be me, then it’s cool.
“I know that in the industry I find myself in, you should appear as meek. You come to interviews and you are asked how many awards you have. You say it and someone is mad in their house. They want you to present yourself as solemn; solemn means being humble, being humble means being meek, and being meek means being down there.
“Because if you’re confident enough, that means you feel you are up there. And we hate to see people out there,” he explained.
Kuami Eugene linked the ongoing criticism directed at accomplished artists, including himself, to the challenging economic conditions in the country.
He explained that the animosity towards celebrities stems from the widespread difficulties people are facing, suggesting that individuals, in their need to express frustration, often choose to channel their discontent towards public figures.
“Maybe it’s just because of the economy and the positionwe find ourselves in as Ghanaians; maybe the economic crisis; it’s just too hard to see somebody enjoy life when all of us are not enjoying life,” he said.
“Rockstar” Kuami Eugene has offered a subtle response to the revelations made by his former housekeeper, Mary, regarding the difficulties she encountered while working for him.
Mary detailed her experience in an exclusive interview, revealing that she initially received a meagre monthly salary of Gh400 when she started working for the musician.
“When I started working with him, he was paying me Gh400. However, after one year, he added Gh100 to it making my salary Gh500. The following year, he did the same until he recently sacked me,” Mary stated.
Asked why she was sacked, Mary revealed she was sent on an errand by a lady friend of the reality show star but returned late that day.
“He sacked me because I returned late from an errand. Frankly speaking, I got home late that day. A lady friend of his asked me to deliver something and I think I got home after 12 a.m. that day,” Mary added.
In response to the news on Twitter, Kuami Eugene expressed his astonishment at Mary’s allegations by sharing the popular Ghanaian phrase, “Nipa bi y3 cobra.”
In a recent interview with Der Madking TV, Mary disclosed the details of her departure from her role with the Highlife singer, citing a misunderstanding as the cause.
Mary explained that the rift arose when she was assigned an errand by Eugene but inadvertently made a mistake. Despite residing in Eugene’s house in Pokuase, Mary recounted being sent to deliver a package to someone in Cantonments.
However, due to a slight cognitive distortion, she ended up at Madina and then Nkrumah Circle, feeling dizzy throughout the journey.
After spending the entire day on this unintended trip, Kuami Eugene confronted Mary about the situation. He presented her with two options: a reduction in salary from GH₵600 to GH₵400 or returning to her mother’s house.
Initially choosing the first option, Mary later reconsidered and ultimately decided to leave the house.
“When I started, Kuami Eugene paid me 400 cedis every month. Then he was increasing my salary each year by 100 cedis. So, at a point, I was paid 600 cedis.
“He sent me to give something to his female friend and I wasted a lot of time on this journey. I really wasted time; I won’t lie about it.
“When I got back, he got really furious; he complained that should anything happen to me, Ghanaians would hold him responsible. But in all honesty, I felt dizzy after spending long hours in traffic that day.
Tension Arises as Kuami Eugene and House Helper Go Separate Paths
“I was confused and my brain was distorted. So, I picked up a car from Cantonments to Madina and then circled instead of going straight to Kuami Eugene’s house.
“When I got home, I explained why I had kept waiting, and he gave me two options. He was furious. He said either I pack my things and leave the house or he’ll reduce my salary to 400 cedis. I chose to stay and take the 400 cedis because I am the breadwinner of my family. But later, I left,” she stated.
Not too long after excerpts of Mary’s interview went viral, Kuami Eugene took to Twitter to throw a subtle jab.
“Nipa bi y3 Cobra,” an Akan language, translates to “Some humans are just like a cobra.”
A former house-help, Mary, has made public the salary she earned while working for Ghanaian highlife musician Kuami Eugene.
In a recent interview gone viral on social media, Mary noted that she worked for Kuami Eugene for three years prior to the termination of her contract this year.
In the initial year, Mary noted that she earned GHS400 monthly. According to her, the arrangement between her employer and herself as a GHS100 increment every year.
Hence, in the subsequent year, Mary earned GHC500 as salary and in her third year, she took home GHC600 every month.
However, she noted that her last pay was slash by GH200, thereby being left with GHC400.
She noted that this was so due to her failure to successfully run an errand. According to Mary, she was provided two options; to have her salary slashed by GHC200 or pack her belongings.”
Mary chose the former but eventually left the home of Kuami Eugene.
400gh-600gh, you’re not paying rent, you live with him, you eat his food, he sometimes goes to places with you. How is this not good? https://t.co/jyjyR9u9Yy
During the interview, the host expressed shock over the amount she took home every month. In reaction, some users noted that her salary was quite substantial as she had a place to stay, was fed and had the opportunity to tour with him.
Mary confirmed these claims, however, added that she had to provide herself water and other commodities such as toothpaste.
I was sacked by Kuame Eugene because I returned late from an errand and the Ghc 400 monthly pay wasn’t enough for me – Kuame Eugene’s ex maid Marry Laments
Prepare for a musical explosion as two of Ghana’s renowned artists, Fuse ODG and Kuami Eugene, join forces to release their sizzling new single, “100%.”
With an infectious afrobeats rhythm and captivating lyrics, “100%” is set to become a dance sensation and a must-have addition to every music lover’s playlist.
Fuse ODG’s lyrical prowess and Kuami Eugene’s melodic charm shine through in this track, delivering a sensual yet catchy masterpiece that celebrates the seductiveness of a woman and her scandalous moves.
“100%” encapsulates the essence of afrobeats, promising listeners an irresistible beat to dance to!
Stay tuned for the soon-to-be-released music video, perfectly aligned with the song’s slick, sexy, and stylish vibes.
Afrobeat singer Kuami Eugene has expressed the view that winning the newly introduced Best African Music Performance category at the Grammy Awards would be challenging for Ghanaian acts unless the music industry invests more in its musicians.
Speaking on Entertainment Guide on DGN, hosted by Prudence, Kuami Eugene emphasized that the Grammy Academy introduced these categories not to appease Ghanaians but to expand its award categories. He stressed the need for the music industry to put in extra effort to compete for and secure these awards.
Kuami Eugene’s comments come in response to the excitement among some Ghanaian music enthusiasts following the introduction of new Grammy categories that recognize genres such as Ghanaian Drill, Highlife, Afrobeat, and more. He clarified that the Grammy Academy’s decision is not based on personal interests favoring Ghanaians but is a move to diversify and recognize a broader spectrum of musical genres.
“The new category is making the job more difficult because highlife is not all about Ghana. Other African countries are doing highlife now. So currently it is not about who can do highlife but who can push highlife to the top and we don’t have the funds here in the country to champion the song,” he said.
Kuami Eugene emphasized that the Ghanaian entertainment industry is still struggling to secure funding support from investors to promote music and artistic endeavors on the global stage.
Despite the challenges, he continues to contribute to the industry and has recently released his single “Monica” from his ‘Love and Chaos’ album, which has garnered significant attention on various digital music platforms.
The highlife musician Kuami Eugene has voiced his worries about the music industry’s inability to sustain multiple artists simultaneously.
He said these things in an interview on Hitz FM.
Kuami Eugene expressed his frustration with the Ghanaian music industry, where the system appears to support only one artist at a time, even though many artists release music regularly. He argued that there is the capacity to support multiple artists simultaneously, indicating a need for a more inclusive and supportive industry.
“It’s not like we live in a country where we release one song at a time. More people are releasing songs. But our system supports one artist at a time when there’s room for more,” he stated.
Kuami Eugene observed that this practice is particularly evident among female artists in the country.
“It’s even sad when it comes to the ladies’ side. You can’t have five ladies making waves at the same time. It should be one lady for a very long time. Then you see another girl crawling, crawling, crawling. Until they make space for her.
“Then she’ll be there for some time before we see another girl crawling. But we’ve had female artists putting together good music in this country. But I wish it wouldn’t be like that,” he commented.
Kuami Eugene called for broader support for all artistes, discouraging unnecessary trolling on social media and emphasizing the importance of spreading positive news about each other rather than engaging in negative online interactions.
Kuami Eugene mentioned a few explanations for why it seems like Ghana’s music industry is struggling while Nigeria’s is thriving.
He pointed out that Nigeria gains from having access to better instruments and having the capacity to create music of a higher calibre. Furthermore, more investors who are eager to support local talent are drawn to the area due to its larger population.
The musician stressed that in order to promote Ghanaian music domestically, stakeholders must work together. He made the observation that local music is prioritised in Nigeria, but foreign music is frequently preferred in Ghana.
“I was in Nigeria, and we were asking some friends why they don’t play Ghanaian music. They have many artistes already. So, before they finish playing their own music, the time is up. When I was there, I had only one Ghanaian song, but I heard it around 2 am. They don’t have space,” Kuami Eugene noted.
Ghanaian musician Kuami Eugene has shared that the issue he had with Mr. Drew has been resolved.
Previously, he expressed his disappointment in Mr. Drew for using a song for which he had written about 80 percent without his consent when they were both part of the Highly Spiritual Music label.
However, in a recent interview on Hitz FM, Kuami Eugene mentioned that Mr. Drew had reached out to him and asked for his details to complete the split sheet, indicating the ownership and distribution of royalties.
He added that his due percentage has been credited to him, suggesting that the matter has been amicably resolved between the two artists.
“He didn’t have a total knowledge of what he was doing. He didn’t know that if you put music out there without the consent of the one that wrote it, it’s illegal. So I won’t blame him. He is a brother, and I am glad he learned and he hit me up right after everything. He’s given me my percentage,” he noted.
Ghana’s sensational Highlife and Afropop star, Kuami Eugene, recently discussed his latest musical project.
In an interview with YFM, the artist expressed his strong connection to his new album, “Love and Chaos.”
“This is an album I poured my heart out on. I’m normally not allowed to pour my heart into a project. But with the influence of Empire, I’ve been given that opportunity to put myself in it,” Kuami Eugene told Kojo Manuel.
After taking a break from the Ghanaian music scene, Kuami Eugene returns with an introspective musical journey. His latest album, “Love and Chaos,” comprises thirteen tracks and serves as his first project released under the EMPIRE label.
“Love and Chaos” features a mix of emotions and genres, incorporating previously released hits like “Fate,” “Cryptocurrency” featuring Rotimi, and “Single.” The album also boasts captivating collaborations with artists such as Guchi, Magixx, Weezy, and BackRoad Gee.
Kuami Eugene’s commitment to pouring his heart into this project is evident in the raw emotional depth of his songs. “Love and Chaos” takes his fans on a rollercoaster of emotions, firmly establishing his position as one of Ghana’s most talented and versatile artists.
The release of this album is not just a milestone for Kuami Eugene; it’s also a momentous occasion for his fans who have eagerly anticipated his return to the music scene.
Ghanaian musician Kuami Eugene is currently making waves with his third studio album titled ‘Love and Chaos.’ This project, which was released on October 12, 2023, has achieved remarkable success by becoming the most-streamed album on the digital music store Audiomack during its first week of release.
‘Love and Chaos’ secured the top spot with over 11 million streams, surpassing Fancy Gadam’s ‘Competition’ album, which took the second position, while Medikal’s ‘Planning and Plotting’ claimed the third spot.
Nigerian artist Runda’s ‘Beautiful Lies’ and Darkovibes’ ‘BUTiFLY’ albums rounded out the top five in fourth and fifth positions, respectively.
Kuami Eugene’s album consists of 13 tracks, featuring notable artists such as Mavin Records’ Magixx, American singer Rotimi, Nigerian diva Guchi, and the UK’s Backroadgee & Weezy.
The album includes tracks like ‘Monica,’ ‘YOLO,’ ‘Best Part,’ ‘No Promo,’ ‘Energy,’ ‘Abena,’ ‘Single,’ ‘Fate,’ ‘Cryptocurrency,’ and four other compelling songs.
‘Love and Chaos’ is steadily climbing the charts on various other music platforms, garnering positive reviews from music critics worldwide.
Ghanaian musician Kuami Eugene, has denied claims that he “steals” melodies from other artists and incorporates them into his songs. He believes that he draws “inspiration” from other songs, and he suggests that this is a common practice among artists in the industry.
Kuami Eugene has faced controversies regarding allegations that he borrows melodies, lyrics, and even beats from other artists without proper acknowledgment or permission. Some creatives, including rapper CJ Biggerman, Docta Flow, and Seth Frimpong, have criticized him for this practice.
During a live Twitter space discussion with media personality Berla Mundi, Kuami Eugene expressed his surprise at social media trolls who accuse him of such behavior. He referred to some of these critics as “hypocrites” who may complain about his methods but still enjoy his music. This debate highlights the complex issue of artistic inspiration, influence, and plagiarism in the music industry.
“It baffles me because I feel like Twitter is one platform where the people there seem to be very knowledgeable about things that go on in the industry, and sometimes they sound like they know what they’re talking about. But then again you look at some other people on that same platform and it seems like they have no idea what they’re talking about.
“Either that or they’re hypocrites because they still listen to artistes like Burna Boy even though he picks inspiration from other songs and they never complain. But for our own people, the same people complaining are the same people jamming to the song,” he said.
He insisted that every creative draws “inspiration” from other art and people rather chastise him when he does the same.
“I’m not the only artiste to do this, every big act does this. Burna Boy does it, Joey B does it, Kelvyn Boy does it, but whenever Kuami Eugene does it, it becomes news,” he said.
Kuami Eugene urged his critics to be well-informed and knowledgeable about his creative projects before passing judgment.
Award-winning Highlife artiste Kuami Eugene recently revealed that he no longer has control over the release of his songs, as this authority now resides exclusively with his current record label.
In an interview on TV3 X Spaces with Berla Mundi, he clarified that the decision on when his music is released is entirely in the hands of his management team.
While Kuami Eugene acknowledged the benefits of this arrangement, which involves delegating various tasks to teams within the label, he expressed some lamentation over not having direct control over major decisions regarding his songs.
This shift in control is a common aspect of record label contracts, where the label takes on the responsibility of managing an artist’s career, including the release and promotion of their music.
“It’s sweet because what the record label does is they get together a bunch of people who do the work for you so they make the work easy in some ways but creative-wise, you can be the most creative person on earth if it doesn’t sit well with one strong person who has that much power or that amount of power when it comes to decision-making; it’s just another job.
“Sometimes you have plans for a song to be released tomorrow but then you get told it will be moved to next week.. So it’s not all sugar and honey all the time,” he said.
Additional information has surfaced in the ongoing dispute over unpaid royalties between Highlife artiste Kuami Eugene and his fellow artist, Mr. Drew. Kuami Eugene has revealed that he has enlisted the services of his lawyer to address the matter through legal means.
While speaking on the Kojo Manuel podcast and discussing any possible conflicts with industry colleagues, Kuami Eugene recounted a specific incident related to the song “Case,” which he had penned for Mr. Drew. However, he asserted that he has yet to receive proper credit or royalties for his contribution to the track.
“I do have a problem with someone now, they think because I let things go easily, they think I’m soft. They feel that even though they don’t pay me my royalties, I wouldn’t mind.” he expressed.
Kuami Eugene provided additional details, stating that he had fully composed the entire hook of the popular song, from its beginning to its conclusion, and he had duly informed the artist about his substantial contribution. However, to his astonishment, the artist did not respond to his messages, and the song was ultimately released without his participation or acknowledgment.
While Kuami Eugene did not disclose the artist’s name during the podcast, he mentioned that he had taken the matter to his lawyer, stating, “I’ve actually sent it to my lawyer. If my lawyer finishes the conversation with him, it will come out.”
In addition to his specific grievance with this incident, Eugene expressed his overall dissatisfaction with the treatment he receives from his colleagues in the Ghanaian music industry. He cited several instances where he did not receive any royalties for his contributions to big hits.
“I can tell you, there are many big hits in the country that many people made money from, but I didn’t even get 1 Cedi from them. All of them know, and it’s not fair,” he disclosed.
Kuami Eugene drew a contrast between his experience with certain artists and those from Nigeria, emphasizing that Nigerian artists tend to uphold their agreements and he continues to receive royalties for his 2020 collaboration on CKay’s “Love Nwantiti.”
Although Kuami Eugene did not explicitly mention the artist involved in the dispute, it’s worth noting that he had previously called out Mr. Drew for failing to credit him for his contribution to the popular song “Case.” In response, Mr. Drew claimed that he had attempted to reach out to Kuami Eugene but received no response.
Highlife sensation, Kuami Eugene, has given fans a rare glimpse into the challenges of fame and fortune at a tender age.
In an engaging live interview with radio show host Kojo Manuel, the “Open Gate” hitmaker delved into the mental toll of his rapid rise to stardom and how public criticism affected him.
The talented artiste, who soared to fame at the age of 19 with the release of his debut track “Angela” in 2017, expressed the difficulties of navigating newfound wealth and fame while still in the early stages of adulthood. Kuami Eugene bared his soul, revealing the impact of public scrutiny on his mental well-being.
“I made a lot of mistakes when I was young; blowing up as a young guy wasn’t easy. At the age of 19, they should have considered the fact that ‘Oh, he is a young boy,’” Kuami Eugene confessed during the interview, emphasizing the challenges he faced while adjusting to his newfound lifestyle.
The artiste elaborated on the swift transition from having nothing to enjoying substantial wealth, from lucrative show deals to driving a Range Rover. He expressed disappointment that the public, instead of understanding his situation, subjected him to unwarranted criticism.
“To move from not having anything to taking this amount for a show, to driving a Range Rover. I’ve never had all these before, all within a very short period. That wasn’t fair on the side of the public. They didn’t reason that he is a young boy and he is getting all this money,” he passionately shared.
Kuami Eugene‘s journey to fame continued with numerous chart-topping hits like “Ohemaa,” “Wish Me Well,” and the widely acclaimed “Open Gate,” all while under the banner of Lynx Entertainment Records.
In a surprising turn of events in October 2022, Kuami Eugene made headlines by announcing his signing with the American record label “Empire Records.” Speculation arose regarding his departure from Lynx Entertainment, but the label clarified that the move was part of a “strategic partnership,” affirming that Kuami Eugene remained an integral part of the Lynx family.
The candid revelations by Kuami Eugene provide fans with a deeper understanding of the challenges faced by young celebrities navigating the complexities of fame, wealth, and public perception. As the artist continues to evolve in his musical journey, his openness serves as an inspiration and a testament to the resilience required to thrive in the entertainment industry.
Ghanaian Highlife artiste Kuami Eugene has revealed the mental challenges he faced after being exposed to wealth at a young age and how public criticism affected him.
In a live interview with radio show host Kojo Manuel, he revealed that he felt mistreated by critics who, in his opinion, should have considered his youth and the challenges that came with his newfound wealth.
This revelation sheds light on the emotional toll that fame and success can have on young artists, especially when they face intense public scrutiny and criticism.
Kuami Eugene’s openness about his experiences underscores the importance of mental health awareness and support within the entertainment industry, where young talents often find themselves navigating both success and challenges.
He stated, “I made a lot of mistakes when I was young; blowing up as a young guy wasn’t easy. At the age of 19, they should have considered the fact that ‘Oh, he is a young boy.’”
Kuami Eugene described the rapid transition from having nothing to suddenly having substantial wealth, including being paid for shows and driving a Range Rover. In his opinion, the public did not empathize with his situation.
“To move from not having anything to taking this amount for a show, to driving a Range Rover. I’ve never had all these before, all within a very short period. That wasn’t fair on the side of the public. They didn’t reason that he is a young boy and he is getting all this money,” he said.
Kuami Eugene’s rapid rise to stardom began at the young age of 19 with the release of his debut song, “Angela,” in 2017. Following that, he continued to release a series of hit songs, including “Ohemaa,” “Wish Me Well,” and “Open Gate,” while being signed to Lynx Entertainment Records.
In October 2022, Kuami Eugene made headlines when he announced that he had signed with the American record label “Empire Records.” This announcement led to speculation that he had left Lynx Entertainment. However, Lynx Entertainment clarified that he had not departed the label and that the new signing with Empire was part of a “strategic partnership.” This move signaled a significant development in Kuami Eugene’s career as he explored new avenues for his music on an international level.
Ghanaian Highlife artist Kuami Eugene has expressed that he considers Sarkodie his go-to choice when he has tough messages to convey in his songs. He explained that Sarkodie possesses the lyrical prowess to effectively articulate the message he wants to convey.
During an appearance on the Kojo Manuel Podcast on October 1, Kuami Eugene praised Sarkodie for his ability to fearlessly speak his mind in songs and for being a reliable collaborator when it comes to addressing important and challenging subjects in their music.
This acknowledgment underscores the respect and admiration that Kuami Eugene has for Sarkodie’s lyrical talent and the role he plays in the Ghanaian music scene.
He said: “If I want to say something to the public and I want it to be a feature, I’ll call Sarkodie. anytime I want to say something to the public and it’s dear to my heart, but I want to come hard, I’ll go and knock on Sarkodie’s door. Because he can speak. When he has something to say, he’ll do a song.”
Kuami Eugene and Sarkodie have collaborated on several songs, including “No More,” released in 2019, and “Honey,” also released in 2019.
Their most recent collaboration, “Happy Day,” stirred controversy when it was perceived as supportive of the NPP (New Patriotic Party) political party. Kuami Eugene clarified that he was not aware of any endorsement and expressed discomfort with the song being associated with a political party. This incident highlighted the potential impact and sensitivity of music in the context of political affiliations and public perception in Ghana’s music industry.
In an interview with Pulse TV on September 27, he underlined the significance of allowing people to express their views freely in a safe setting, especially when conditions in the country are not favorable.
Kuami Eugene emphasized the importance of creating an environment in which people may express themselves freely and without judgment.
He understood that many people are going through personal difficulties, and asking them to “calm down” may not be the most sympathetic reaction.
He stated, “There’s a lot going on at this moment that is so personal to people. In situations like this, to tell someone to calm down is a bit ill. So all I can say is I just hope things will be put in place where people will have a comfortable environment to express themselves as human beings. It is not bad to live in an environment when people will like to voice out what they are going through.”
Kuami Eugene is likewise optimistic about Ghana’s future, thinking that the country would evolve and improve gradually.
He mentioned the recent #OccupyJulorbiHouse demonstration, which attempted to raise awareness about the need for better living conditions in Ghana.
Despite police warnings, the campaign continued and gained support from celebrities and influencers such as Stonebwoy, Efia, EL, Manifest, Kelvyn Boy, Socialite Efia Odo, and comedian SDK.
They all supported the marchers’ plea for good change.
“It is a phase, and I’m hoping that when we get off this phase, things will change, and everything will be fine,” Kuami Eugene added.
"God will Judge the government" – Angry Protester voices out her frustrations.#INDNews Supreme Court | Partey | The NPP | Sneaker Nyame | M.anifest | Rawlings | Mercy Eke | Blueface #AlanSpeakspic.twitter.com/zthrIrdPYZ
Highlife musician Kuami Eugene has recently disclosed that he made a substantial creative contribution to Mr. Drew‘s popular hit song ‘Case,’ encompassing approximately 80% of the song’s content. This contribution includes composing the catchy hook and a significant portion of the second verse. Despite his significant role in shaping the song’s success, Kuami Eugene has expressed that he has not been duly acknowledged or compensated for his creative input.
“I wrote the entire hook, and some part of the second verse. I wrote like 80 percent of that song. In fact, before he came to record the song, that hook and everything were already done, he listened to it and sang it,” Kuami Eugene explained.
Kuami Eugene expressed his disappointment and frustration, noting that despite his substantial creative input into the song, Mr. Drew had not fulfilled his financial obligation to compensate him for his contribution.
“All I heard from him was like bro, the song, make we drop and that was when I was in America.
“That was when he texted to ask if we should drop the song but because of the time difference, I was asleep and when I woke up, he didn’t inform my manager or anything and the second person who was around when we recorded the song texted me later to inform me he (Drew) had dropped the song. I texted him (Drew) to ask and he left me on read,” he recounted.
Kuami Eugene openly shared his disappointment regarding the ongoing situation, expressing his frustration by saying, “It’s quite unfortunate that I have to resort to this platform to convey a message to Mr. Drew, urging him to fulfill his obligations, especially given the song’s success.”
He emphasized the importance of recognizing and crediting artists for their contributions in the entertainment industry, highlighting the significance of acknowledging the rightful creators of creative content.
Despite the current dispute, Kuami Eugene conveyed his desire for a harmonious resolution, underlining his strong bond with Mr. Drew, whom he regards as a brother. He expressed hope that Mr. Drew would take the necessary steps to address the issue by providing a split sheet, which is a document detailing each contributor’s share in a song, to resolve the matter amicably.
Kuami Eugene is well-known for his exceptional songwriting abilities and has penned songs for numerous other artists in the Ghanaian music scene. He revealed that he wrote songs for other artists because he couldn’t perform all of them himself and recognized when a particular song would better suit another artist’s style.
Ghanaian highlife sensation, Kuami Eugene, has unveiled a video as a precursor to the launch of his forthcoming album, “Love and Chaos.”
Kuami Eugene, acclaimed as the Artist of the Year at the 2020 Vodafone Ghana Music Awards, has been absent from the album release scene for some time.
While the official announcement of the album remains undisclosed to the general public, the video provides a tantalizing glimpse of the Highlife maestro’s impending musical offering.
A video, shared by the renowned entertainment blogger Zionfelix on his Instagram page, captures Kuami Eugene meticulously packing bags and loading them onto a vehicle, while a neatly pressed suit hangs in the front seat.
In a striking scene, Kuami Eugene, donned in his suit, ignites a matchstick to set fire to a flower, symbolizing the anticipation and excitement surrounding the release of his new album.
Ghana’s renowned music sensation, Kuami Eugene, found himself embroiled in controversy following his attire selection for his father’s funeral, which triggered a flurry of responses on social media.
During the solemn event on August 26th, Kuami Eugene’s choice of clothing raised eyebrows. He appeared in an unconventional ensemble comprising a black long-sleeve shirt, trousers, platform boots, and even earrings.
Videos circulating on social media depicted him walking with his entourage, displaying a relaxed demeanour and even chewing gum as he headed to the venue of the service.
However, this seemingly indifferent attitude did not sit well with many Ghanaians.
Critics promptly utilised various social media platforms to express their disapproval.
They contended that his chosen attire was inappropriate for a funeral service, particularly one that honoured his own father. The outfit was characterised as untidy and lacking the reverence and respect typically associated with such occasions.
Amid the surge of criticism, some individuals proposed an alternative course of action. They suggested that Kuami Eugene could have opted for traditional clothing instead.
Traditional garments carry profound cultural significance during funerals, representing honour for the departed and the event itself.
Kuami Eugene’s contemporary and somewhat flashy outfit appeared to clash with the customary tone of funerals in Ghana, leading to disappointment among many due to his unorthodox selection.
This is not the first instance where Kuami Eugene’s fashion sense has come under scrutiny. His outfits at various events over the years have been a subject of conversation, with many attributing the perceived lack of creativity to him and his stylist.
A recent photo of Second Lady, Samira Bawumia, taken alongside Ghanaian musician Kuami Eugene during a plane journey, has left a section of social media users astonished. The photo showcased Mrs. Bawumia without make-up, revealing her radiant skin and natural beauty.
In the picture, she had her hair elegantly wrapped in a white scarf, adding a touch of grace to her casual attire for the trip. It was quite uncommon to see her in such a relaxed and laid-back look during her public appearances, as she chose to wear a blue and white striped top along with trousers.
The photo has captivated many, who admire the Second Lady’s ability to exude confidence and beauty even without makeup, inspiring conversations about embracing natural beauty and individuality. This rare glimpse of her authentic self has garnered praise and admiration from social media users, further exemplifying her grace and charm.
Kuami Eugene took to Instagram to share the photo.
Social media users, captivated by her radiant beauty, have been showering her with endless praises and admiration. Her authentic and natural look in the rare photo has sparked awe and admiration among her followers, who commend her for embracing her true self with grace and confidence.
The outpouring of compliments is a testament to the positive impact she has on her admirers, and it showcases the admiration and respect she commands for being a role model in embracing one’s natural beauty.
Adane Best, a celebrated Highlife musician, has voiced his concerns about what he perceives as a decline in Kuami Eugene’s career trajectory.
In an adomonline.com report, the veteran musician, who has been in the music industry for over three decades, emphasized the diminishing hype surroundingKuami Eugene and highlighted the need for support to help him regain his prominence.
He also pointed out that Kuami Eugene‘s career appeared to be sinking, primarily because he continued to rely on the same formula he used during his early years.
The music legend further explained that the fading hype around Eugene’s persona was a result of his persistent use of familiar patterns and approaches.
According to Best, to revitalize his career, Kuami Eugene needs to explore new creative avenues, experiment with different musical styles, and adapt to the changing tastes of his audience.
“Kuami Eugene’s hype has gone down. But for him to rise back up, he needs people to support him. He keeps doing what he did when he was young. Doing the same thing means he will have the same results. Though he is talented, the surrounding hype is dying,” he stated.
However, Adane Best clarified that he does not believe Kuami Eugene has completely dropped off the radar.
While there is a noticeable inconsistency compared to his initial breakthrough, Best expressed his confidence in Eugene’s potential to overcome this challenging phase.
He emphasized the importance of providing honest feedback to those we care about, stating, “I am not saying he has dropped completely… but if you compare him to when he came out, it is not the same. I have been in the game for 31 years now, so I know what I am saying. If you love someone, you have to tell them the truth, and I know he can get out of that.”
During a recent interview, Kuami Eugene, the musician signed under Lynx Entertainment, openly revealed that he is among the emerging talents within the Ghanaian music industry who, at a remarkably young age, have acquired their own cars.
He mentioned that he bought his first car at the age of 19 after his single, “Angela” had become one of the most popular songs in Ghana.
Kuami Eugene indicated that he bought the car, which was an Elantra, for about Ghc45,000.
“At that time, it cost me GH¢45,000. It was a significant milestone for me as it was the first time I had ever held such a substantial amount of money,” he stated in the said interview.
In the wake of the reactions to this revelation byKuami Eugene, a gentleman on Twitter who goes by the name Henry Asiamah has come out to state that the “Cryptocurrency” hitmaker is lying.
According to Henry, he was a friend of Kuami Eugene at the time, and at the time, he was the one who used to drive him to a music studio in the Odorko area in Accra.
He also added a photo of himself, Kuami Eugene, and another guy to back his claims.
“No hate but it’s a lie ,I use to drive him to studio in odorkor, don’t really remember the studios name : he use to record us and we did great songs . He didn’t have a car then and had just joined hitmaker. Showbiz age and boss talk . New friends after he blew up . Life continues”
The Organizers of theVodafone Ghana Music Awards(VGMA), Charterhouse Production Ltd have vehemently denied playing any role in the crowning of Ghanaian musician, Kuami Eugene as the king of highlife music by Amakye Dede at the 20th VGMAs.
Robert Klah, head of public events and communication at Charterhouse speaking with Asaase Radio said it did not have any role to play in the controversial matter.
“We did not orchestrate any crowning session,” Klah said “So I am a bit lost when it comes to the assertion that event organisers are responsible.
According to Klah, the mandate ofCharterhouse was to ensure that the overall event runs smoothly and maintains a certain standard while providing opportunities for artists to showcase their talents.
“We work with a team… so, you give them the opportunity, they create what they want to do, …the only thing is that you want to ensure that whatever they are going to present is not distasteful, so they get there and perform their act and you move on,” Klah revealed
Amakye Dede in a recent interview revealed that he was forced to crown the young singer.
Elaborating on the incident, Amakye Dede stated, “Though I did that, it was not my will to do so, They forced me to crown Kuami Eugene.”
He further revealed that he initially handed over the crown he was given to someone else however, he was persuaded by others involved in the event to go ahead and crown Kuami Eugene.
“I even gave the crown they handed over to me to someone to put it down, but they later said, no I have to crown him, and I did it,” he shared.
Amakye Dede’s action received widespread criticism from various players in the music industry, including Zapp Mallet, Akwaboah and Arnold Asamoah-Baidoo.
However, Charterhouse has clarified that they had no part in orchestrating the crowning session.
Amakye Dede’s commentary on the matter follows the same tangent his manager Akwesi Aboagye, stated in an interview on Anigye Mmre on Onua FM when the incident occurred in 2019.
According to Aboagye, Kiki Banson, who was responsible for the artist repertoire at the VGMAs, contacted him to inform him of their plan to have Amakye Dede crown Kuami Eugene during his performance.
“KiKi Banson, who was in charge of artiste repertoire for the 2019 VGMAs, called to inform me that as part of Amakye Dede’s performance, they want him to crown Kuami Eugene and I told him I have to speak to my artiste about it,” he revealed
Mr. Aboagye noted that Amakye Dede still declined the offer despite the persuasion, but he was ‘ambushed’ on stage when a crown was given to him unexpectedly to be put on Kuami Eugene’s head.
“So those who watched that act will know that something was not right. According to Amakye Dede, he was surprised to see a lady walk on stage to hand over a crown to him,” Mr Aboagye narrated.
Ghanaian highlife musician Amakye Dede has accused Kiki Banson of forcing him to declare Kuami Eugene the “King of Future Highlife” live on stage during the 2019 Vodafone Ghana Music Awards (VGMAs).
This follows the highlife veteran’s claims during an interview on Asaase radio, that he was forced against his will to indulge in the act which trended on social media four years ago.
In the said interview, Amakye Dede revealed that initially, he even attempted to pass the crown given to him onto someone else.
But in a recent interview with Abeiku Santana, Amakye Dede, without hesitation, cited popular music executive, Kiki Banson, as the one who masterminded the act.
“I am telling you straightforwardly that Kiki was the one who gave me the crown. He was the one who forced me to crown Eugene. When he initially gave it to me, I gave it to one of my boys, Robberman, to put it down. Because it wasn’t my intention, they forced me to do it. If you like, you can call Kiki and confirm whether he wasn’t the one who gave me the crown. Call him right now,” he established.
The host, Abeiku Santana, who was a bit confused, then queried: Is it Kiki Banson you’re talking about?
Amakye Dede replied: Why should he do this to me?
Meanwhile, Charterhouse, the organizers of the VGMAs, has distanced itself from the development which took place on their stage years ago.
In response to Amakye Dede‘s revelation, Robert Klah, the Head of Public Events and Communication at Charterhouse, stated that they had no part in orchestrating the crowning session.
“We did not orchestrate any crowning session. So, I am a bit lost when it comes to the assertion that event organizers are responsible,” he stressed.
In a captivating revelation, Ghanaian singer, Kuami Eugene, has recently divulged intriguing details about his rapid success in the music industry.
In a yen.com report, he disclosed that he purchased his first car at the tender age of 19, attributing it to the remarkable success of his viral hit song, “Angela.”
He proudly stated, “I bought my first car at the age of 19, and it was an Elantra. I bought it myself after the success of ‘Angela.’
“At that time, it cost me GH¢45,000. It was a significant milestone for me as it was the first time I had ever held such a substantial amount of money.”
Kuami Eugene further hinted at his aspirations for the future, expressing his desire to acquire more luxurious cars.
His ambitions are driven by his fascination with several other car brands that have captured his attention.
