Well-known radio personality and musician, Blakk Rasta recently spoke out about the challenges faced by artists like Patapaa in Ghana’s music industry.
In a candid interview, he highlighted the discrimination against certain musical styles and defended the talent and artistry of artists like himself and Patapaa.
Rasta pointed out that there is a prevalent bias against what some perceive as “funny” songs in Ghana.
This bias, he argued, has hindered the success of artists who choose to explore different musical avenues beyond the traditional genres.
Expressing disappointment at the dismissive attitudes and criticism faced by artists like Patapaa, Blakk Rasta emphasized that music is a form of art that should be appreciated for its creativity and diversity.
He defended Patapaa’s music, stating that it focuses on the artistic aspect rather than conforming to conventional lyrical norms.
“Most Ghanaians are ignoramus. If you don’t understand someone’s song, that’s fine but don’t trample over their talent. Music is art and we all choose to express ourselves differently. Those criticizing don’t understand what art is. Music is a poem, people need to get educated,” he defended.
He criticized those who label artists as talentless simply because their music doesn’t fit into mainstream categories.
“When they are talking about funny music and talentless artistes, everyone mentions his [Patapaa] name. No matter how he tries to come out it will be difficult because he has been branded as a man who is not talented. When they are talking about least talented people in the world, Ghana starts by mentioning Patapaa”.
Blakk Rasta also addressed the impact of negative perceptions on Patapaa’s career, suggesting that until Ghanaian audiences broaden their musical perspectives, artists like Patapaa may struggle to reach the pinnacle of success.
In closing, Rasta urged Ghanaians to be more objective and give artists like Patapaa a fair chance, noting that their unique styles could bring global recognition to Ghana’s music scene. He also vowed to defend his craft against any unwarranted criticism, citing the need for a more inclusive and appreciative approach to music in the country.